CFP: UCSB Early Modern Center Annual Conference

Play’s the Thing: Phenomenology and Play in Early Modern Literature, 1500-1800
University of California, Santa Barbara
Conference Date: March 4-5, 2016
Proposal Due Date: December 4, 2015

The Early Modern Center at the University of California, Santa Barbara invites proposals for our annual conference, “Play’s the Thing: Phenomenology and Play in Early Modern Literature, 1500-1800,” to be held on March 4 and 5, 2016. We are happy to announce our three keynote speakers: Laura Engel (Duquesne University), James A. Knapp (Loyola University Chicago), and Bruce Smith (University of Southern California).

In his Essais, Montaigne suggests that “Childrens playes are not sportes, and should be deemed as their most serious actions” (Florio translation, 1603). Three hundred years later, Sigmund Freud maintains that “it would be wrong to think” that a child at play does not take his imagined “world seriously . . . The opposite of play is not what is serious but what is real” (“Creative Writers and Day-Dreaming,” 1907). We are seeking papers that take up notions of play (broadly construed) in early modern literature from a phenomenological perspective: how can we understand play as lived experience or lived experience as play in early modern texts? Taking our cue from recent scholarly developments in historical phenomenology and in the study of affect, emotion, cognition, and design, we are looking for papers that attend seriously to play in various early modern manifestations. If play and seriousness are conjoined, as Montaigne and Freud write, what serious work does play perform, and how do play and playfulness reflect, distort, shape or create the realities they resist, enjoy, or inhabit?

Possible topics include, but are not limited to:

the world of the imagination and “playing pretend”
imagined worlds and places of play
the experience of play / the relationship of experience to play
play, sensation, and the senses
acting and embodied play
affect and playing / playing a role
cognition and play
designing play / play’s designs on us
affordances and the conditions of possibility of play
empathy, sympathy, and projection
play and care / therapeutic play
playing with: community and the intersubjectivity of play
playing with oneself
laughter and joy
flirtation and amatory or erotic play
being a player (social / theatrical / political)
the politics of play / the play of politics
gaming, competing, sport
diversion and entertainment
hospitality and the play of entertaining
language and play / wordplay, punning, joking
animals, play, and animal play
play and discovery, emergence, disclosure
play, imitation, repetition (with a difference)
phenomenology and play in natural philosophy
counterfactual thinking and thought experiments
serious, earnest, or deep play
excluding play / what is excluded from play
play and crossing boundaries / play and taboo / taboo play
playing with / within disciplines, playing with periodization
playing with / within conferences and conference papers

We invite abstracts of 300 words or less and a 1-page CV to be sent to by December 4, 2015.

In the spirit of serious play, we also invite you to include a short description (outside of the 300-word limit) of how you envision this paper being delivered (short format, roundtable, artistic presentation, traditional conference format, exhibit, etc.).

Please feel free to contact the conference organizer, Kristen McCants, at with any questions you may have.

CFP: After Print: Manuscripts in the Eighteenth Century

Following up on a highly successful CSECS panel, I’m organizing a one-day conference at UCSB on the same topic: the continuance of manuscript composition, publication, and circulation in the eighteenth century. I’m hoping for papers from a wide range of fields.

After Print:
Manuscripts in the Eighteenth Century
UC Santa Barbara
April 24, 2015
Co-sponsored by the Mellon Fellowship in
Critical Bibliography at Rare Book School and
the UCSB Early Modern Center

This one-day conference at UCSB will bring together junior and senior scholars to explore the continued vitality of manuscript publication and circulation in the eighteenth century. Scholars now often take for granted that the eighteenth century constituted an established “print culture,” whether that culture was inherent in the technology or forged by its users. By the age of Addison and Pope, this narrative contends, the spread of print and lapse of licensing had rendered superfluous a manuscript world of scurrilous libels, courtly poetry, and weekly newsletters. But a growing body of research is arguing for the ongoing importance of manuscript production and publication into the Romantic period, and for a critical stance that questions the solidity of the print-manuscript binary. In texts from diaries and journals to notes, letters, sheet music, scientific observations, and hybrid multimedia documents, scholars are turning their attention to the manuscript traditions and innovations that were also central to eighteenth-century literature. And they are drawing connections to our own moment of protracted media shift, focusing on aggregative, iterative steps rather than a single “revolution.”

“After Print” will join this exciting subfield by exploring a range of manuscript practices in the long eighteenth century. Margaret Ezell, distinguished professor of English and Sara and John Lindsay Chair of Liberal Arts at Texas A&M University—whose works Social Authorship and the Advent of Print (1999) and The Patriarch’s Wife: Literary Evidence and the History of the Family (1987) have been foundational to the field—will deliver the keynote lecture on Friday evening. Proposals are solicited for papers on any aspect of eighteenth-century studies related to the theme; in particular, proposals are welcomed from junior scholars (graduate students, postdocs, and untenured faculty) for a special panel on new methods. Limited travel support for junior scholars may be available.

Please send paper proposals by Dec. 15 to Rachael Scarborough King (Asst. Prof. of English, UCSB),